Hi,  I’m Red.  Part-time designer & full-time thinker.


I can do many things. Among them visual identity, web layout & wirefaming, information architecture and print design.
I’m 22, currently in the pursuit of my BA degree in Design, ergo the  “part-time”  bit. As for thinking, that's just another thing I like to do :)

My work style is primarily driven by honest, creative ideas, and secondarily supported by on-the-spot, strongly documented information.
Directly influenced by that, my work process is mostly action-centered, and frequently disregards any planned sequence of stages. What proves consistence in the end is the final result of every design project I sign for.

If anything you see here resonates with you in some way, don't hesitate to check the contact page and say Hello!
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If you feel like doing it, drop me a line or two. Or even three.
Keep it in the range of 100 words, and we’ll be fine. Thanks :)

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Or you can mail me directly at hello@redcan.be.

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RedCan .
  •  BE
  •  PLAY
  •  STOP
  •  THINK
  •  TALK
  •  WRITE
  •  SHARE
  •  BELIEVE
  •  ACCOMPLISH
  •  IMPROVE
  •  CODE  SOMETIMES
  •  LAUGH
Works
About
Contact
LinkedIn   Behance   Twitter   LastFm   Flickr   Google+   Facebook

 

 

Naming and visual identity for a fictional record store. Was meant to have a vintage feeling, aiming to succesfully represent a business that would sell vinyls, and not digital files.

 

 

 

A photobook idea I managed to bring forward with great help from a great friend and some excellent inspiration from an excellent band. Find out more about them at be.net/annveder and americanmary.com, respectively.

 

 

 

 

Album cover proposal for The Mono Jacks EP (myspace.com/themonojacks).

 
The main idea was to denote the mood of those who can’t seem to find their place anywhere in their life, therefore I opted for the classic ‘wedding-picture’ layout recipe, to which I added totally foreign elements, such as the messy background texture, the sunset colour theme, and the daily ‘uniform’, each one of these having different origins, and so, the resulting picture being anything but a natural, fluent mixture of entities. Got the third place in the competition.

 

 

 

I’m still happy to present to you the old version of my portfolio :)

 
Almost two years ago I was a freshman at the university and I was begining to feel a sort of hunger for discovering new ways of improving my skills.

Once I’ve realized I needed my own website, and that it would also be a good opportunity for me to practice, it took two weeks to make the layout and, for the first time, to write the code entirely (it was a productive holiday between semesters). It came down to a one-page website, with serious issues regarding the search-engine optimization, but luckily that didn’t mattered so much to me at that time.

 

P.S. I’m not a snob, I just like the look of the Apple Cinema Display and that’s why I’m using it as background. Thanks for understanding.

 

This is a little something I came up with in 2010, when autumn kicked in.

As some say it’s funny, I like to promote it as a wallpaper from time to time.

 

 

This is a wallpaper idea I concieved while being in a slightly darker state of mind. Fortunately, I have since moved on to brighter moods.

 

 

Poster inspired by some of Radiohead’s material.

 

 

Poster inspired by Manic Street Preachers and their work. It features the titles of my favourite songs coming from all their nine LP albums released until 2009. The guitar silhouette appearing here depicts a Gibson Les Paul Custom White, model frequently used by James Dean Bradfield – their guitarist and lead-singer.

As about Kierkegaard’s quote, I believed it to be mandatory since the very first thought about doing this.

 

 

Poster concept concerning with the amount of energy we manage to use daily.

 

 

Calendar concept for 2010. It folds up on the two symmetric axes, while the bottom part gets thrown away when the calendar is in use.

 

 

A postcard, the result of a school assignment.

 

 

A graphic interpretation of Bertrand Russell’s quote.

 

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© Copyright 2012, Teodor Minea. All rights reserved.

Thank you, please come again.    

RedCan